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A garden with a story to tell
| Sansui-design directors, Jacquie Blakeley
and Robert Ketchell, explain the innovative approach to the garden design
as follows:

We
were asked to come up with an innovative design, which would have
an appeal to both adults and children. Much of the focus of the theme
park areas have an educational content. We are taking as a basis
the traditional elements of the Japanese style, but are enhancing it
with a strong story line, which is aimed at engaging all visitors young
and older.
The garden is interlaced with poetry and a strong story
line which describes in simple terms the triumph of good over evil,
which is the basis of all great folk tales.”
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Sansui-design Ltd. have created an innovative Japanese style garden in Spalding,
Lincolnshire, UK, as part of a major retail development which opened 13 May 2004.
Based on the site of the former National Bulb Exhibition Centre, the Springfields
development features factory outlet shops, themed educational gardens, celebrity
designed showcase gardens, striking water features, woodland walks as well
as the traditional show beds of daffodils, tulips and other flowering bulbs.
The landscape architectural practice, Barnes Walker, who have been in charge
of the development of the landscaping for the whole site, are also based in
Cheshire.
With over £22m invested in the project, Springfields will give an estimated
2 million visitors per year the chance to shop, eat, and gain inspiration for
their own gardens. Admission to the gardens is free of charge.
The garden story is based on an old Japanese folk tale called Momotaro (The
Peach Seed Boy), a character who is as familiar to a Japanese audience, as
Robin Hood is to a British one. In the story, an elderly childless couple find
a peach in a stream. They take the peach home to eat, but when they cut open
the peach, they find a small boy instead of a peach stone. They adopt the boy,
who grows into a strapping, almost super human character. The village where
the couple live is plagued by malevolent spirits, called Oni. When Momotaro
becomes a young man he vows to rid the village of the menace of the Oni. Momotaro
joins with three companions, a dog, a monkey and a pheasant, together they
set off on an epic journey, to confront the Oni in their heartland. They spy
on the castle home of the Oni, and devise a plan to attack. This plan they
successfully carry out, defeating the Oni and returning in triumph to their
home village bearing the treasure they have recovered from the one’s
lair.
| A TOUR OF THE MOMTARO GARDEN |
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| The garden is entered by way of a granite-paved pavilion. The walls of
which are plastered and finished in muted earth colours. |
A moon window (a circular opening) is incorporated to allow a limited
view of part of the garden beyond. The central feature of which represents
the opening of the story – being the childless couple taking the
form of a pair of impressive standing stones.
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Exiting from this area the visitor is taken towards a traditional Japanese
style ‘dry’ garden of rocks, gravel and planting – representing
the element of the finding the peach in the stream. |
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The pathway with its intricate patterns has been specifically designed
by Sansui-design and was hand cut in China.
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| Travelling along the granite pathway alongside a gravel
streambed, the visitor arrives at the couple opening of the peach and discovering
the young boy. |
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| The area to the rear of the garden depicts a
dramatic landscape of hills and mountains through which the companion’s
journey toward their goal. This wild and dramatic landscape is enhanced
by the careful siting of skilfully tended and shaped pine trees, which
work to give a false perspective to the area. |
The next scene depicts Momotaro and his meeting with the three companions.
This is a low-lying landscape with a view of an island appearing in a ‘dry
ocean’ to the right of the path. |
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| A striking chequer board layout represents
the battle scene. This is the crucial element of the story where Momotaro
and his companions launch their assault on the castle. |
The castle home of the Oni is located on an island set in a gravel pond |
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where the large, dark, angular pieces of slate making
up the island are intended to give this part of the garden a slightly
ominous air.
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The visitor then walks with the companions past the 'dragon’s
lightening' which is representative of the triumph of good over evil.
In Oriental mythology dragons are a symbol of the Life Force or primal
energy.
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To their homecoming where the companion’s return the
treasure to the villagers amid festivities and celebrations. |
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The
ethos of the whole garden is to combine horticultural, literary, cultural,
aesthetic and educational aspects, thereby seeking to engage the visitor
in a profound way. By following traditional Japanese garden design concepts
the visitor is be able to experience a range of different landscape treatments
showing the various ways arranging and combining both hard and soft landscape
materials. The garden doesn’t seek to recreate a Japanese garden
as seen in Japan, rather to interpret some of the fundamental design
principles in innovative ways. The planting within the garden is not
only a backdrop for the story line but also is becomes integrated into
the story itself.
The garden has been designed as an educational piece of artwork, lending
itself to be used to teach children not only about Japan and its folk
tales, but also tells a tale with a strong moral message. The future
use of the garden may include school visits, also adult workshops on
aspects of Japanese gardening and design, thereby using the garden
as a teaching tool.
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Visitors then exit past an original Japanese stone lantern
of an unusual type, the stem of the lantern being mounted on the back
of a frog (a symbolic wish for visitors to return again to the garden).
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Sansui-design has a particular interest in the relationships formed between
the garden and the visitor. They have already completed a highly successful
garden in California, which took a Buddhist parable for its theme. Creating
gardens with a story line is an original and innovative element of the work
of this design practice, blending Eastern and Western approaches to garden
design, they are able to draw on the strengths of two of the world’s
great garden traditions.
For further information please contact us
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